Who are you and what are your characters?
AV: Amee Vyas and I play the Jailer’s Daughter. It’s really listed as Daughter in the dramatis personae and in the script. It’s in the stage directions, we get “Jailer’s” Daughter, so for consistency we say Jailer’s Daughter.
KLKathryn Lawson playing Princess Emelia
How long have you been working at the Shakespeare Tavern Playhouse?
AV: I plead the fifth! Actually, this is my 14th year with ASC and I’ve performed in at least one play here every year except for the 2012-13 season when I moved out of Atlanta for a brief year.
KL: Since 2010
What did you enjoy most about the previous production of The Two Noble Kinsmen when it was produced five years ago?
AV: The freedom of not having a predecessor or another popular production of the play to be compared to. Also, I believe we took that freedom and ran with it. We created some really lovely bits of staging (and that Troy specifically re-created in this production) because we were all willing to try anything; since, we’d never seen the play performed we didn’t think “well, that’s not how Branagh did it!” or “you know, I hate it when actors make Hamlet so mopey, so I’m going to do it differently!” We really allowed the text to dictate what we did, which resulted in one particularly uber-theatrical staging: the building of a human ship – which one of the actors suggested as a literal interpretation of the brief text in the scene.
KL: The wonderful cast and meeting new people in Atlanta theatre.
What do you like that is different about this production?
AV: The cast is great. Each new cast brings something fun and exciting (if the gods are smiling at you and with this cast they are!). I don’t remember laughing as hard backstage the last time. Then again, we were all a little unsure of the play and how it would be received. This time around we knew that it is a magical play and with Daniel and Matt as the title characters, we were set for success!
KL: I love our wonderful new cast and getting to play pretend with my very dear friends.
What is one of your favorite moments in this show? When do you feel most connected to the show?
AV: Ahh, there are so many! This is unfair! I’d like to say the last moment of the opening song, when Sarah Beth goes for the Soprano line and Rivka beats the last four notes on the drum, there’s a harmony of sounds that is just beautiful; but then, I think, my personal favorite is one of my character’s last scenes in the play, I’m drunk (which Shakespeare never gives to a female character!) and I’m talking about the afterlife. Instead of staging it where I am interacting with the 3 other characters who are talking about how crazy I am, Troy continues my character’s arc of being alone with the audience and I play the entire scene in the ditch and on the edge of the thrust. There isn’t a more perfect example of audience interaction and since I’m drunk and seeing a different world I’m also tapping into my craft; so it becomes a perfect intersection of preparation, craft, and being in the room – and it’s just fun to do.
Who should see this show and why?
AV: Everyone! First, it’s rarely produced, so if you are a theater- or Shakespeare- or Classic Literature-geek, you need to see it. Second, it’s a beautiful production with music, and fights, and a human ship. Lastly, #shamelessplug, I’m in it!
Amanda Lindsey McDonald
Social Media Specialist